A Sample of Modern Burmese Buddhist Poetry
Many years ago in Rangoon I came across a little yellow booklet which poetically describes a Burmese man's experiences as a newly ordained monk (probably a temporary one) at a monastery/meditation center in Burma, alias Myanmar. The booklet appeared to be privately printed and published, and had no copyright information that I can remember. What it contained moved and inspired me, because it conveys the feel of being a newly ordained monk—the idealism, the gratitude, the reverence for the profundity of Dhamma—better than anything else I have ever read. Even the nervousness of the postulant waiting outside the congregation hall before his ordination ceremony is suggested by the verse beginning "jasmine and gardenia drench the walk," and the very next verse contains a poetic rendering of part of the upasampadā kammavācā, the formal act of ordination, chanted in Pali at the creation of every bhikkhu since ancient times. (There is also some Buddhist symbolism in that jasmine verse, with the 31 steps this way and the 31 steps the other way, representing, I suspect, the transmigration, life after life, eon after eon, through the 31 planes of existence.)
I'm not nearly so starry-eyed as I was at my ordination, although I feel that I am wiser and more content as a result of having lived a monk’s life. Still, I liked the little booklet and transcribed its contents into a notebook, and I think it's good enough to share with you who are reading this.
I don't know who U Win Pe is, although, like very many Burmese laypeople, he obviously knows his Buddhism: the following lines are embellished with plenty of philosophical allusions and symbols that a beginner in Dhamma may not notice. I don't know who he is, but I am grateful to him. Here is what he wrote:
The Yellow Robe: A Travel Diary
by U Win Pe
Self did not make me, nor self nor any other. Yet the notion of Self or self or some other made me. And with a body and mind caused this body and mind which will cause another body and mind so long as there remains the notion.
from the ambulatory I can see
beyond the tops of mango
doorian and mangosteen
the shoulder of a hill
in the morning it is dim with ground mist
in the afternoon it is blurred with haze
walking beside the jasmine bush
the mynahs do not heed me
they cluck and whistle and flutter and hop
and one flying in low from somewhere
alights with a whirr of wings
tea-dust swirl in the cup
dark brown specks in amber liquid
slowly drop to the bottom
there they stay
Travelling the round of births of Samsara. Treading the Eightfold Path. Winning the Stream. Metaphors of Wayfaring. Incessant movement, there is no standing still. For one is not doing nothing at any time, one is always doing. And to do is to impel. So one goes -- going on or getting out.
jasmine and gardenia drench the walk
with their delicate flavours
I take 31 steps up this way
and 31 steps down that way
and 31 steps this way again
let the assembly, revered brothers, hear me
to whatever venerable it seems good
let him remain silent
to whomsoever it does not seem good
let him speak
to the assembly it seems good
silent it remains
take it so
head shaven
carrying only the eight requisites
the heavy robe somehow seems light
as I take the first steps slowly
from the Ordination Hall
onto the path
salted boiled peas and plain hot tea
to help this body get out of
the low round table seating five
body, sensation, and so on
a small cloud passes quickly across
the sky in the refectory window
a round face in an aged head
a low voice beneath soft words
standing beside the coconut palm
talking of pain and the end of pain
wayfaring
The life lived without awareness is the tainted life: tainted with wanting, tainted with not wanting, tainted with not knowing about the notion of Self and self. Awareness should be of each doing every moment. Mindfulness is the watching and warding of awareness.
4a.m. the stream of breath
216 cycles per minute
in-breathing, out-breathing, in-breathing
watching the touch
aware of sensation as it is
airflow at the nostril tip
the morning is noisy with birdtalk
koels, jays, mynahs, sparrows, bulbuls
I follow each song and twitter
not koel shout, jay song, sparrow twitter
but each note as it falls upon my ear
the wind rises in the afternoon
it ruffles the topmost branches of
the doorian
then it shakes it thoroughly
raises a flurry in the almond tree
flutters the window curtain
and comes to me
9p.m. mindful of sensation
when sensation is full with mind
and mind is full with sensation
the bright green world beneath the waves
at Set-se beach
the sea is permeated with one taste
Colours seen with the eyes closed are brighter than colours seen with open eyes. Brighter than these are the colours seen when the mind is brought to a point. But colours, lights, and images are distractions.
mango tree, sky, monastery wall
sun brings out the green
the blue, the white
and sunlight all bright yellow
on monk's robe hanging out to dry
lights are a curtain hiding Light
lights are a turn-off to delight
lights are bright colours
not hot but cool
lights are a pleasant quiet pool
lights do not light the way to ardour
lights are a curtain hiding Light
The end of the world is not reached by travelling. Within this fathom-length body with its sense-impressions, thoughts and pains, is the world, the making of the world, the ceasing and the way to the ceasing.
inside this cell
sleeping, sitting, walking
reading, thinking, praying
meditating
better to look
inside this body
several fields west of the monastery wall
one under paddy, one under melon
one under peas
a speckled bull grazes there during the day
this body my grazing-ground
it goes from field to field
feeding indiscriminately
on straw, duckwort, poisonweed
browsing here or lying there
chased by men with sticks in the field beside the road
pelted by boys with stones in the water-meadow
rope it with in- and out-breathing
tie it to the hitch-post pain
No pain, no gain. This banal expression describes what is so but we would take it metaphorically. There is no path that has no pain. Pain is the stumbling-block or the stepping-stone.
the aching inner muscle of the thigh is pain
the thin thread of sharpness along the bone is pain
the burning hands is pain
pain is the general tone of discomfort
only pain is
or that which we have named pain
it is not the hardness of the floor plank
which hurts
it is the softness of my foot
pain is not in the wind
it is in the bones the bands
pain is in the mind
discomfort from sitting too long on the floor
the bother of setting out in the sun
to retrieve the robe
vexation from holding the book too long
displeasure from thinking about the task to be done
pain from the meditation exercise
unease is the common element
We err by naming that which is itself. We err by clothing the world in concepts. Knowing happens in time present and not by reaching before and after. Knowing happens in its own way.
I say this robe this mat this razor
this alms bowl
this water-strainer this needle and thread
this over-robe
but pain is
a jay sits daily on the almond tree
it whistles several phrases
whom is it telling all that to
how to watch the pain in my ankle
as it is without saying
in present pain is birdsong and jasmine
in present pain is the cup of hot tea
in present pain is the wind in the afternoon
in present pain is the shoulder of the hill
in present pain is the path through the orchard
in present pain the cup of tea is smashed
drawing water
the well is wide and shallow
I draw a bucketful and put it in the tub
another bucketful and put it in the tub
14 buckets and the tub is filled
getting to know is not filling a tub
Joy does not come through pleasure, joy comes through pain. Agitation accompanies pleasure. The way to stillness accompanies pain. The end of pleasure is dissatisfaction. The end of pain is joy. Then comes whatever has to come in its own way.
a set of sharp knives
turning and turning in the ball
of my ankle five days now
suddenly
it went away this morning
joy
this flesh hung on these bones
and knit with nerves
I have seen shredded
and dropping
like great cliffs falling
flesh is not solid
sunbursts burn at every pore
no arms no thighs no legs
only the play of electricity
vanishing in small flashes
the monk on my left
the coming does not make him glad
is the monk on my right
the going does not make him sad
gruel is food, boiled peas is food
hot tea is food
pain comes and goes, joy comes and goes
sun in the morning, stars and moon at night
unattached
novices planting a jackfruit tree
9 years before the first fruit
they laugh and quarrel and banter
to them the world is trees and food and walking
the world is trees and food and walking
One sets out to arrive. One fares as one should. Arrival is in accordance with its own nature and in its own way. One sets out and goes on faring.
not a garden of roses and junipers
nor a valley of lilies
not a palace with cool drinks in the windows
nor a moon and a finger pointing
not the path through an orchard
to the shoulder of a hill
but a journey across hot sands
to a river
a small cloud moves in the southern sky
the morning breeze carries a wetness of river water
namo Buddhassa
"Washing the Bowl" |
Wow thank you so much for translating. This was wonderful to read.
ReplyDeleteI didn't translate it. Apparently it was originally composed in English. But yeah, it is nice.
DeleteMan, this is incredibly beautiful. The expanse in these lines can be felt.
DeleteVery much appreciated. I wonder what made you give that to us now ... It shows a part of you not known before.
ReplyDelete